The beheading of John the Baptist is a well-known story. Even many who aren’t familiar with the New Testament have heard the story of the dance of Salome that cost John his head. Artists throughout the ages have dramatized the grizzly scene of John’s head being brought on a plate by the young girl (see above). Recently, Győző Vörös, director of the excavations at Machaerus, announced that he has pinpointed the area where Salome’s deadly dance took place.
Herod’s Palace Fortress at Machaerus
The death of John the Baptist is not only recorded in Scripture, it was also recorded by the Jewish historian Flavius Josephus. In fact, it is Josephus’s account that locates John’s execution at Machaerus, one of Herod’s mountaintop fortresses. The fortress was originally built during the reign of Alexander Jannaeus, one of the Hasmonean rulers (more popularly referred to as the Maccabees). Herod the Great refurbished and strengthened it. Machaerus was Herod’s most eastern fortress and is located in present-day Jordan. The map that follows shows the location of Machaerus and Herod’s other palaces/fortresses.
The Gospel accounts of John the Baptist’s Death
In order to avoid any confusion, I would point out that, although Herod the Great had refurbished the palace, it was Herod’s son, known as Herod Antipas, who figures in the story of John’s beheading. The Gospels record that John accused Herod (Anitpas) of violating the Law of Moses by taking his brother’s wife. Herodias was previously married to Antipas’s brother Philip (Mark 6:17-20). Antipas arrests John and throws him in prison, not willing to kill him for fear of the people who regarded John as a prophet. However, when Salome, Herodias’s daughter, dances for Herod, he promises her anything, up to half his kingdom. Her request is for the head of John the Baptist, which Herod reluctantly grants.
Josephus’s Account of John the Baptist’s Death
As noted above, Josephus also provides an account of John the Baptist’s death. Josephus’s account differs in some particulars. His account compliments the Gospels by adding additional information. I have provided an abbreviated version of his account below:
But to some of the Jews the destruction of Herod’s army seemed to be divine vengeance, and certainly a just vengeance, for his treatment of John, surnamed the Baptist. For Herod had put him to death, though he was a good man and had exhorted the Jews to lead righteous lives, to practice justice toward their fellows and piety towards God, and so doing join in baptism. . . . When others too joined the crowds about him, because they were aroused to the highest degree by his sermons, Herod became alarmed. Eloquence that had so great an effect on mankind might lead to some form of sedition, for it looked as if they would be guided by John in everything that they did. Herod decided therefore that it would be much better to strike first and be rid of him before his work led to an uprising, than to wait for an upheaval, get involved in a difficult situation and see his mistake. Though John, because of Herod’s suspicions, was brought in chains to Machaerus, the stronghold that we have previously mentioned, and there put to death, yet the verdict of the Jews was that the destruction visited upon Herod’s army was a vindication of John, since God saw fit to inflict such a blow on Herod (Josephus Ant 18.5.2 §116–19).
Josephus’s mention of the destruction of Antipas’s army relates to the defeat he suffered in 36 AD at the hands of the Nabatean King Aretas IV. Anitpas had divorced his daughter in order to marry Herodias.
Where Did Salome’s Dance Take Place?
Within the ruins of the palace, a courtyard has been uncovered, along with a niche which Vörös believes to be the place where Antipas’s throne was located. The photo above shows the niche where the throne may have been. In an article for BAR (Sept/Oct 2012), Vörös writes, “Herod’s palace also included a courtyard with a small royal garden, a Roman-style bath, a triclinium for fancy dining and a formal peristyle courtyard enclosed by porticoes on four sides. This final area was the most imposing area of the palace, and it was there that Salome must have danced for Herod Antipas. We even know where the king sat: A semi-circular apse marks the space for King Herod’s (and later his son Tetrarch Herod Antipas’s) throne in the axial center of the peristyle courtyard.”
As with any archaeological reconstruction, 100% certainty is not possible. Some archaeologists have agreed with Vörös’s conclusions, while others are not convinced. In any case, Salome’s dance certainly happened within this palace in a place where Herod would have entertained guests. This seems to be the most likely spot. The work at Machaerus continues and perhaps even greater clarity about where this biblical event took place will be forthcoming.
We all enjoy and appreciate being able to get food on the run. Fast food restaurants are a mainstay of modern life. If you thought they were unique to the modern world, however, you would be wrong. Pompeii, the famous city buried by volcanic ash in 79 A.D. when Mount Vesuvius exploded, had up to 80 fast food establishments! One of these establishments, the Thermopolium (snack bar) of Regio V, has recently been excavated in its entirety. The excavation revealed vivid art work. Furthermore, examining residues in food containers revealed the kind of food sold at the snack bar. Other discoveries included storage vessels, the bones of two humans, and the bones of a dog.
Ordering at Regio V in Pompeii
If you were hungry in ancient Pompeii and walked into Regio V for a snack, what would you find there? The photo of the snack bar above, offers a few ideas. Two mallard ducks hung by their feet (left panel), and a rooster (right panel), suggest some of the delicacies that a hungry client might choose from. In fact, examination of the containers, or dolium, lining the counter (see photo above), produced the following residues: goats, fish, swine, snails, and even a fragment of duck bone.
Was the menacing looking dog in the picture above, a warning to guests to beware of hassling the workers, or another item on the varied menu at Regio V? Another interesting feature of this picture is the graffiti in the black area above the dog’s head. If you blow up the picture, you can barely make out the words of an unsatisfied customer. I won’t quote here what the graffiti says. Suffice it to say, the customer had a real potty mouth (quite literally). For a translation of the graffiti, and additional information about the snack bar, see the article at pompeiisites.org. Speaking of dogs, archaeologists found the full skeleton of a small dog between the two doors of the Thermopolium. The dog was only eight to ten inches high, suggesting that the Romans were breeding pet dogs 2,000 years ago.
Pompeii is famous for preserving the images of dying people caught in the ash and poisonous gases of the Vesuvius eruption. The bones of two victims were identified inside the snack bar. Unfortunately, treasure hunters from the 17th century moved the bones around. Excavator’s identified the remains of one man in his fifties, who appears to have died on his bed (the residue of wood and nails still laid underneath the bones). The bones of another man were found inside one of the doliums. The treasure hunters apparently put them there.
Massimo Osanna, Interim Director General of the Archaeological Park of Pompeii, states, “The possibilities for study of this Thermopolium are exceptional, because for the first time an area of this type has been excavated in its entirety, and it has been possible to carry out all the analyses that today’s technology permits.” For further information on this discovery consult the link above and also see Pompeii Fast Food Restaurant Uncovered. For interesting video footage click here and here (please be aware this video is in Italian but it gives a good overview of the shop). To read more about the Romans love of fish check out, Fish Sauces–The Food That Made Rome Great.
We will definitely be airing some dirty laundry in this post as we look at the clothing motif in the Books of Samuel. In daily life, clothes tell us something about the person wearing them. We might learn about their social class, or what part of the world they’re from. Formal and casual attire also communicate certain messages. One blogger writes, “On a larger scale, fashion is important because it represents our history and helps to tell the story of the world” (Why Is Fashion Important?). “Clothing, whether worn for a special occasion or not, did always convey a message, sometimes consciously and sometimes subconsciously, especially regarding social status, as there was clothing specific to gender, age, marital status, wealth, rank, modesty, place of origin, or occupation” (Barbosa, M. (2020). Women’s Fashion in the Old Testament World. In The Baker Illustrated Bible Background Commentary, p. 74).
Hebrew Words for Clothing in Samuel
There are six Hebrew words used a total of thirty-nine times to describe a person’s attire. The words and their meaning are as follows:
Beged is the most common word for clothing in the OT, and the most frequently occurring word in 1&2 Samuel. It occurs twelve times in eleven passages (1 Sam. 19:13, 24; 27:9; 28:8; 2 Sam. 1:2; 3:31; 13:31 [2x]; 14:2; 19:25; 20:8, 12 ) and is usually translated as “garment” or “clothing.” It has a broad range of meaning and refers to clothing in general.
An ephod is mentioned ten times in nine passages (1 Sam. 2:18, 28; 14:3; 21:9; 22:18; 23:6, 9; 30:7 [2x]; 2 Sam. 6:14). An Ephod is an item of priestly apparel. It is especially associated with the High Priest, but is worn by others as well. In spite of the detailed description of it in Exodus 28 and 39, “a clear picture of what it looked like is difficult to obtain” (Meyers, C., Ephod (Object). In The Anchor Yale Bible Dictionary, Vol. 2, p. 550). Both Samuel and David are said to wear “a linen ephod” (1 Sam. 2:18; 2 Sam. 6:14). The ephod was used to seek answers from God, so at times, it is pictured as being carried, rather than worn (e.g., 1 Sam. 23.6).
Meʿîl means “robe” and is found eight times in seven passages in Samuel (1 Sam. 2:19; 15:27; 18:4; 24:5, 12 [2x]); 28:14; 2 Sam. 13:18). It is an outer garment generally worn by people of rank. It is especially associated with Samuel and Saul, although it is worn by other people of high status.
Maḏ occurs five times in five passages and is always connected with military or governmental attire in Samuel (1 Sam. 4:12; 17:38, 39; 18:4; 2 Sam. 10:4).
Lābaš is normally used as a verb in Samuel (4 times) and refers to “putting on” a piece of clothing. However, on one occasion it is translated as a noun referring to Joab’s military outfit (2 Sam. 20:8).
Keṯōneṯ passîm is an expression only found four times in Scripture. In each instance it refers to a type of garment that suggests royalty. It appears in the Joseph story as the “coat of many colors,” (Gen. 37:3, 23), and is found in 2 Samuel 13:18-19 describing the garment that Tamar, the daughter of David, was wearing. The word keṯōneṯ by itself is more common in Scripture (e.g., Gen. 3:21; Job 30:18) and is used to describe Hushai’s garment in 2 Samuel 15:32 which he has torn as a sign of grief. For more on biblical clothing click the link here.
Meanings Conveyed by Clothing in Samuel
Having surveyed the passages in Samuel that mention clothing, I have concluded that there are five primary meanings. These meanings include status, mourning, deception, shame, and death.
Kings, priests, soldiers, aristocrats, and peasants all have distinctive outfits befitting their social and political rank. This is true of all societies and this feature is evident in Samuel as well. For example, all eight mentions of the robe (meʿîl) are connected with royal figures and political leaders. Hannah’s bringing the young Samuel a new robe each year (1 Sam. 2:19) foreshadows his destiny as Israel’s leader. The connection between the robe and leadership is made explicit in the story of Saul’s rejection. When Samuel turns to leave after telling Saul that God has rejected him as king, Saul grabs Samuel’s robe and it tears. Samuel sees this as a sign and responds, “The Lord has torn the kingdom of Israel from you this day and has given it to a neighbor of yours, who is better than you” (1 Sam. 15:28). Samuel is so closely identified with his robe that when Saul visits the medium of Endor and asks her to call up Samuel, he recognizes him immediately by the woman’s description. She states, “An old man is coming up, and he is wrapped in a robe.” Then the text tells us, “And Saul knew that it was Samuel” (1 Sam. 28:14).
Saul’s robe represents his kingship. When David cuts off a piece of Saul’s robe, David is convicted. “Then David arose and stealthily cut off a corner of Saul’s robe. And afterward David’s heart struck him, because he had cut off a corner of Saul’s robe (1 Sam. 24:4-5). Cutting off a slice of Saul’s robe is similar to defacing his kingship. Similarly, Jonathan’s gift of his robe and weaponry to David is a symbolic way of surrendering the kingship to him (1 Sam. 18:4).
Besides his robe, Samuel wears a linen ephod which indicates his priestly status (1 Sam. 2:18). Somewhat surprisingly, David is also said to wear a linen ephod when he brings the ark of the covenant into Jerusalem, thus suggesting some kind of priestly status on his part (2 Sam. 6:14).
What one did to one’s clothing, or the kind of clothing worn was a common way of expressing grief in the ancient world. For example, following a defeat in battle at the hands of the Philistines, a messenger arrives at Shiloh with torn clothes to deliver the news to Eli (1 Sam. 4:12). Similarly, after being raped by her brother Amnon, Tamar tears the royal robe she is wearing as a sign of grief and outrage (2 Sam. 13:19). David goes a step farther following the murder of Abner when he tells Joab and his men to not only tear their clothes but to put on sackcloth (2 Sam. 3:31). To demonstrate his grief of David’s flight from Jerusalem during Absalom’s revolt, Mephibosheth does not take care of his feet, trim his beard, or wash his clothes (2 Sam. 19:24). Finally, in an act of deception, Joab tells a wise woman to pretend to be in mourning by putting on garments of mourning (2 Sam. 14:2).
Our last example above regarding the wise woman illustrates how clothing can be used in Samuel to deceive. The wise woman pretends to be mourning over a lost son so that she might gain the ear and sympathy of the king. Michal, the daughter of Saul seeks to protect David by deceiving her father’s soldiers into thinking he is sick. She does this by laying an image in a bed and covering it with goat’s hair and clothes, giving David time to escape (1 Sam. 19:11-16). Saul also uses clothing to deceive the medium at Endor. Saul does not want to be recognized so that the medium will do his bidding in calling up Samuel. In the larger story, however, Saul’s removal of his royal apparel and putting on “other garments” (1 Sam. 28:8), is a symbolic way of suggesting that Saul is losing the kingship. Joab uses his military attire to deceive Amasa (2 Sam. 20:8), but this story also has another dynamic that we will examine below.
In the Bible, being unclothed is considered shameful. Only Adam and Eve in their pristine state before the Fall, could be naked and unashamed (Gen. 2:25). Not only did certain kinds of clothing denote honor and wealth, all clothing hid one’s shame (e.g., Ezek. 16:8, 36-37). Thus to be found in one’s “birthday suit,” was considered humiliating. Saul is twice pictured in 1 Samuel in a compromised situation. In his pursuit of David, Saul comes to Samuel in Ramah and is seized by the Spirit of God. There he lies down all day naked and prophesies (1 Sam. 19:23-24). In other words, in his murderous rage, the Spirit renders him powerless and vulnerable, to the point of shaming him by removing his kingly garments. One might muse that Saul is performing his own version of the “Emperor’s New Clothes!” Saul is found in an even more humiliating and vulnerable position when he goes into a cave to relieve himself (1 Sam. 24:3-7). The Hebrew uses the euphemistic phrase, “to cover his feet.” In other words, Saul drops his robe around his feet in order to take care of important business. David and his men are hiding in the cave, but David refuses to harm Saul. When Saul leaves the cave, David produces the part of the robe he had cut off in order to demonstrate his innocence to Saul (1 Sam. 24:11).
On another occasion after David himself has become king, he sends ambassadors to pay his respects to the deceased Nahash, king of Ammon, Nahash’s son Hanun humiliates the men by cutting their garments off at the buttocks (2 Sam. 10:4). This insult precipitates a war between Israel and Ammon. We should also mention that Tamar’s tearing of her royal garment not only communicates mourning (as noted above) but shame as well.
When garments are associated with death, it is usually in reference to those who are mourning the deceased (2 Sam. 3:31; 14:2). However, there is one passage in 2 Samuel that dwells on the military attire of Joab in anticipation of his murder of Amasa (2 Sam. 20:8). One could literally say that Joab “was dressed to kill!” On the other hand, the expression “cloak and dagger” seems apropos as well. This passage also fits under the theme of dressing to deceive noted above. Commentators are unsure of the exact manner in which Joab perpetrates this deception, but in the end, Amasa gets the point! As Amasa lies wallowing in his blood, the troops stand still in shock. But when Amasa is unceremoniously dragged off of the highway and covered with a garment, the mission continues (2 Sam. 20:12). This time a garment plays the part of concealing the horrible crime committed by Joab and acts as Amasa’s death shroud.
Conclusion: If the Shoe Fits
While some motifs, such as tallness, or dead dog (see posts here and here), have one main point to make, the motif of clothing is varied. For the most part, one could say that the clothing motif is “worse for wear” in Samuel. Although the message of status is mostly positive, the other usages of this motif are quite negative. Context is the all-important guide when it comes to understanding what is being communicated by the clothing motif. Therefore the message(s) of this motif is not a “one size fits all,” but rather an “If the shoe fits, wear it.” In particular, the clothing motif in Samuel contributes to the main themes of honor and shame (e.g., 1 Sam. 2:30) and how appearances can be deceiving (1 Sam. 16:7).
For a more in-depth look at 1&2 Samuel see:
Family Portraits: Character Studies in 1 and 2 Samuel. Available at the following sites: Amazon USA / UK, and WestBow Press as well as other internet outlets.
Although there are numerous new features for all who love using Logos for Bible study, Logos 9 is especially pastor friendly. I will list a few of the new features below, but if I was asked to summarize the biggest changes in Logos 9 it would include the expansion of the Factbook, the new Sermon Builder and Sermon Manager tools, and the new Counseling Guide. We will look briefly at each of these first.
The New Factbook
FactBook has been updated and now has about ten times the information of previous versions. Now you can enter a passage, person, topic, etc. into the “Go” box and the dropdown list will provide Factbook as one of the options, as seen in the screenshot above. (I know the pictures are small so feel free to zoom in on the screenshots). 🙂
Choosing the person Samuel results in the Factbook opening to a page with a multitude of resources and basic information to get you started on your character study. The screenshot doesn’t do justice to the various categories available such as media, key passages, events, various Bible dictionary articles, journals, sermons, guides, and workflows. Basic information is also provided on the key events of Samuel’s life.
Sermon Builder and Sermon Manager
What used to be called the Sermon Editor is now called the Sermon Builder. It can be found in the Tools menu. Logos 9 greatly enhances the ability to plan, create, preach, and store all of your sermons. Below I have listed several screen shots. The first demonstrates how to access Sermon Builder, while the second and third show the various features available.
By the way, notice that Dark mode is now available in Logos 9. The following screenshots are in Dark mode which can be accessed by clicking on the 3 vertical dots in the upper righthand corner of the screen. To enable this feature, you have to choose Dark Mode, quit Logos and then start it again. This is cumbersome. It would be nice if the feature automatically switched, or if Logos had a restart button rather than having to quit and restart Logos. Back now to the Sermon Builder!
In the second screenshot, you will notice that on the righthand side, the Sermon Builder gives you the option of creating a new sermon layout, or using a previously saved template. Below that is information that can be filled in to provide information when storing the sermon. If this sermon is part of a series, you can put in the name of the series, the topic, the passage(s), etc.
In this last screenshot of the Sermon Builder, notice that you can input the date, church or location, and time the message was preached. I love this feature because if you speak at a number of different venues and churches, you never need worry about whether you are repeating a sermon you have taught before! On the left side of the screen is where you develop the sermon. One of the features I really like is how powerpoint slides are automatically added for each point! When you’re finished building your sermon, all you do is hit “Preach” in the upper box and you’re ready to go. In Preach mode you even have a built in timer to keep your sermon on schedule!
The Sermon Manager is another nice feature in Logos 9 for organizing your messages and series, and being able to easily find them later. I have not provided a screenshot, however, because I have to confess a little frustration with this feature. I built an example to make a screenshot of Sermon Manager. I put in some information for some make believe sermons, but then I ran into trouble. When I tried to correct a mistake, I couldn’t find a way to delete anything. In fact, I tried to delete the entire example because they are not sermons I have preached and I couldn’t find a way to delete them. I went to the “Help” file only to find that Logos 9 does not include any information on the Sermon Builder or Sermon Manager! The only information on sermons is under “Sermon Document,” which pertains to the old Logos 8 feature. So I’m left frustrated at the moment with how to use this feature and how to delete mistakes.
The Counseling Guide
As the demo for Logos 9 points out, the Counseling Guide won’t make you a counselor, but it is designed to help the busy pastor with resources and guidance. Logos 9 not only provides this Counseling Guide, but, depending on your version, it also provides a large counseling library. Below is a snapshot of the Counseling Guide. I have typed in the topic of depression as an example. (You’ll notice I’ve switched back to the Light screen).
The screenshot below demonstrates that scrolling down the page of the Counseling Guide reveals some resources pertaining to depression that are included in certain versions of Logos 9.
Other Features and Benefits of Logos 9
As noted at the top of this post, I have sought to focus on three of the main new features in Logos 9, but there are many more. I will give just two more brief examples. A minor feature, but one that I like a lot, is the ability to view your commentaries categorized in various ways. In the screenshot below, I have typed Psalm 60 into the “Go” box and then chosen “Passage Guide.” On the left where the commentaries are listed, you will notice that there are now various categories such as “Priority,” “Series,” “Author,” etc. In the example, I have selected “Type” and from the drop down list I have selected “Exegetical,” which shows me all the Psalms commentaries in my library that fit that category.
Finally I will mention that, as always, an update with Logos comes with a host of new books for your Library. I will note that my version of Logos 9 is Gold, so those with other versions will have libraries that vary. The Gold version includes an extensive counseling library, as I have already mentioned, including a 10 volume commentary series by well-known counselor Jay Adams. I am particularly excited that Lexham Press has produced Lexicons of the Hebrew, Aramaic, Septuagint and Greek. These Lexicons are a gold mine and differ from other Lexicons as they break down word meaning and usage according to various passages in the Bible. I am also excited about the new Atlases available with Logos 9 which includes the Carta Bible Atlas, Carta’s Historical Atlas of Jerusalem, The Sacred Bridge: Carta’s Atlas of the Biblical World, and others. The Gold version also includes Lexham’s Context Commentary (3 vols. on the NT and 1 vol. on the OT). Besides these and many other volumes, Logos 9 comes with numerous updated data sets and interactive media.
Evaluation of Logos 9
Overall I am very pleased with Logos’s latest update. As noted above, I believe pastors (and teachers) will find it especially helpful. There are a few bugs to be worked out, but this is true of any new update. Now is a great time to purchase Logos 9 as Logos is offering a 15% discount on all of its packages. Click on the link below, browse and choose the package that works best for you!
Capital Importance: Ancient Judean Capitals Discovered!
While COVID-19 has certainly put a damper on the 2020 archaeological season in Israel, a number of exciting discoveries continue to occur. Just yesterday (Sept. 3, 2020) the Israel Antiquities Authority (IAA) announced the discovery of three 2700 year old capitals, along with other artifacts. According to the Jerusalem Post, “The capitals are linked to the Davidic Dynasty because such designs from the period of the kingdoms of Israel and Judea have only been found within the areas they ruled. The design has been found from later periods in other locations throughout the Mediterranean and Middle East (Davidic Dynasty Symbol Found in Jerusalem).
The Capitals, which are in perfect condition, were found buried, one on top of the other. It is not known why the capitals were buried. What is known is that they are from either a royal administrative building, or a royal estate. An in-depth interview conducted by Eric Stakelbeck of Christians United for Israel (CUFI) with Ze’ev Orenstein can be found here.
The capitals date from the period between the Assyrian oppression, which resulted in the miraculous deliverance of Jerusalem in the time of King Hezekiah (Isaiah 37), to the Babylonian destruction of Jerusalem (586 B.C.). Since the style of these capitals are linked to the Davidic dynasty, it has been memorialized on Israel’s 5 shekel coin (see image below).
A similar capital was discovered in Jerusalem during Kathleen Kenyon’s excavations in the City of David (1961-67). This discovery prompted Israeli archaeologist Eilat Mazar in 2005 to search and uncover what she believes is King David’s Palace. In a video showing a tour of the City of David the guide in the video sits in the building discovered by Mazar. Beginning at 3:30 in the video you can hear him talk about the palace and you can see a replica of the capital that was discovered. Watch the video here. Note the identical nature of this capital to the ones just discovered!
Among other items found were lavishly decorated window frames (seen in the picture above). These window frames, along with the capitals, can be seen in this short video interviewing the archaeologist who discovered them. Other items are currently being studied and investigated. A future announcement will detail what else has been discovered.